Press
In Creative Company (The Last Front)
The Last Front with Iain Glen, Sasha Luss, James Downie and Julien Hayet-Kerknawi We talked about the movie The Last Front with director Julien Hayet-Kerknawi and actors Iain Glen, Sasha Luss, and James Downie, as they discussed what makes a film centered in World War I a story which is also filled with hope and […]
The Times (The Rig)
The actor tells Julia Llewellyn Smith about The Rig, fatherhood, and being a sex symbol in his sixties.
The Telegraph (The Cane Field Killings)
Iain Glen remembers meeting ‘childhood god’ David Bowie, witnessing the birth of his kids and his career highlight.
The Independent (The Cane Field Killings & Game of Thrones)
Iain Glen on his new South Africa-set detective drama.
DStv (Reyka)
Iain Glen breaks down his character, Angus Speelman, and his sinister agenda in local crime drama Reyka.
Collider (Mrs Wilson & Game of Thrones)
Iain Glen on his twisty Mrs Wilson character and the end of Game of Thrones.
The Telegraph (Game of Thrones)
Iain Glen on the fiery finale and saying goodbye to Emilia Clarke
The Resident (Game of Thrones)
Iain Glen on life in Dulwich & the last series of Game of Thrones.
Vanity Fair (Jack Taylor)
Iain Glen’s Jack Taylor is the perfect fix for your Game of Thrones withdrawal.
Sydney Morning Herald (Thrones, Cleverman)
Iain Glen on Game of Thrones, Aboriginal culture and the wonders of public transport.
Evening Standard (Fortune’s Fool)
Game of Thrones fans know him from TV but to followers of Russian theatre Iain Glen is the go-to actor.
TV Times (Jack Taylor)
Former Downton star Iain Glen on his new role as a detective with a taste for drink, women and danger.
Daily Mail (Jack Taylor)
Iain Glen on his latest role as a booze-soaked cop, getting intimate with Nicole Kidman, and why his Downton villain should have got the girl…
Hampstead & Highgate Express (Longing)
Full house buzz to run and run with Iain Glen and ‘Longing’.
The Daily Record (Jack Taylor)
Iain Glen ditches his sword and becomes a detective in new TV drama.
Financial Times (Uncle Vanya)
Why does Uncle Vanya’s existential gloom speak to us so profoundly?
