Evening Standard (Fortune’s Fool)
Game of Thrones fans know him from TV but to followers of Russian theatre Iain Glen is the go-to actor.
TV Times (Jack Taylor)
Former Downton star Iain Glen on his new role as a detective with a taste for drink, women and danger.
Daily Mail (Jack Taylor)
Iain Glen on his latest role as a booze-soaked cop, getting intimate with Nicole Kidman, and why his Downton villain should have got the girl…
Hampstead & Highgate Express (Longing)
Full house buzz to run and run with Iain Glen and ‘Longing’.
The Daily Record (Jack Taylor)
Iain Glen ditches his sword and becomes a detective in new TV drama.
Financial Times (Uncle Vanya)
Why does Uncle Vanya’s existential gloom speak to us so profoundly?
The Guardian (Ghosts)
Leading actors do not often make the leap into directing, but Iain Glen has wanted to for years.
The List (Small Engine Repairs)
Paul Dale meets one of Scotland’s finest living film and theatre actors – Iain Glen.
The Scotsman (Small Engine Repairs)
“Most men lead lives of quiet desperation and go to the grave with the songs still in them.”
The Times (The Crucible)
Actor Iain Glen, 44, takes a no-nonsense approach to health, and sailing helps to ground him.
The Stage (The Crucible)
For an actor who is equally happy on stage and screen, Iain Glen is fortunate enough to have a foot in both camps.
University of Aberdeen Magazine (Kidnapped)
Iain Glen is part of a golden generation of Scottish actors.
Scotland on Sunday (Gabriel & Me)
Home truths: Iain Glen on the boy he was and the man he’s become.
The Guardian (Tomb Raider)
The Scottish actor Iain Glen arrives for our interview looking particularly mean.
Scottish Mail on Sunday (Glasgow Kiss)
There can be a certain predictability about meeting square-jawed, handsome actors.
The Scotsman (Glasgow Kiss)
He’s famed for taking on dark roles – but then Iain Glen has never been interested in the conventional.
RADA Magazine (The Blue Room)
It was good to see you back on stage in The Blue Room, David Hare’s new version of Arthur Schnitzler’s ‘La Ronde’.
