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Evening Standard (Fortune’s Fool)
Game of Thrones fans know him from TV but to followers of Russian theatre Iain Glen is the go-to actor.
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TV Times (Jack Taylor)
Former Downton star Iain Glen on his new role as a detective with a taste for drink, women and danger.
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Daily Mail (Jack Taylor)
Iain Glen on his latest role as a booze-soaked cop, getting intimate with Nicole Kidman, and why his Downton villain should have got the girl…
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Hampstead & Highgate Express (Longing)
Full house buzz to run and run with Iain Glen and ‘Longing’.
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The Daily Record (Jack Taylor)
Iain Glen ditches his sword and becomes a detective in new TV drama.
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Financial Times (Uncle Vanya)
Why does Uncle Vanya’s existential gloom speak to us so profoundly?
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The Guardian (Ghosts)
Leading actors do not often make the leap into directing, but Iain Glen has wanted to for years.
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The List (Small Engine Repairs)
Paul Dale meets one of Scotland’s finest living film and theatre actors – Iain Glen.
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The Scotsman (Small Engine Repairs)
“Most men lead lives of quiet desperation and go to the grave with the songs still in them.”
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The Times (The Crucible)
Actor Iain Glen, 44, takes a no-nonsense approach to health, and sailing helps to ground him.
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The Stage (The Crucible)
For an actor who is equally happy on stage and screen, Iain Glen is fortunate enough to have a foot in both camps.
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University of Aberdeen Magazine (Kidnapped)
Iain Glen is part of a golden generation of Scottish actors.
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Scotland on Sunday (Gabriel & Me)
Home truths: Iain Glen on the boy he was and the man he’s become.
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The Guardian (Tomb Raider)
The Scottish actor Iain Glen arrives for our interview looking particularly mean.
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Scottish Mail on Sunday (Glasgow Kiss)
There can be a certain predictability about meeting square-jawed, handsome actors.
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The Scotsman (Glasgow Kiss)
He’s famed for taking on dark roles – but then Iain Glen has never been interested in the conventional.
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RADA Magazine (The Blue Room)
It was good to see you back on stage in The Blue Room, David Hare’s new version of Arthur Schnitzler’s ‘La Ronde’.